Piano man – Nils Frahm

I chanced across the wonderful German neo-classical composer Nils Frahm last year when, on a whim I went to see Ólafur Arnalds play at Papiersaal. His beautiful, delicately melancholy performance was a revelation to me – modern classical music not usually being my ‘thing’ – but I was incredibly awed by the solemn beauty of Nils’ (and Ólafur’s) work.

Nils is something of a wunderkind. Born in 1982, he studied piano with one of the last students of Tchaikovsky, Nahum Brodski. Since then he has established himself as a one of the finest contemporary neo-classical composers of modern times. He founded Durton Studio in Berlin in 2008 to realise his various musical and collaborative projects, working with the likes of Peter Broderick, Ólafur Arnalds, Efterklang, Rival Consoles, Deaf Center, Dustin O’Halloran and Anne Müller, and more.

In 2009 Frahm released the EP Wintermusik, and the celebrated album The Bells. Now he has released Felt, so-called because of a method he used to create the album:

‘Originally I wanted to do my neighbours a favour by damping the sound of my piano. If I want to play piano during the quiet of the night, the only respectful way is by layering thick felt in front of the strings and using very gentle fingers. It was then that I discovered that my piano sounds beautiful with the damper.’

The result is an album of nocturnal peace and quiet, so tender and poignant, beautifully structured and arranged that it seems to  be able to work its tranquil magic on the most fractured and restless of souls.

Check out Nils at Haldern Pop 2010:

And watch Nils and Ólafur Arnalds do some amazing improvisation:

Nils Frahm plays @ Stall 6, ZH, Tuesday 15.11.11, and @ Südpol, Luzern, 16.11.11. Tickets here.

Stream Felt in its entirety here.

Felt is out now on Erased Tapes Records.

The Rapture: 2 x 2 free tix!

The Rapture by Ruvan Wijesooriya

The first I knew of NYC indie dance-punk band The Rapture (beyond a connection to a weird religious notion of The Resurrection) was back in the good ol’ days of eMusic in 2003, when one of their Editor’s Picks was ‘House of Jealous Lovers’, taken from The Rapture’s second album Echoes. Echoes made numerous Best-Of lists, with ‘House of Jealous Lovers’ rating sixth on NME’s Best Songs of the Decade.

After Echoes came 2006′s Pieces Of The People We Love, and in September, after a 5-year break, In The Grace Of Your Love, written and recorded in Brooklyn and Paris, and produced by Phoenix producer Philippe Zdar.

Check out a live recording of The Rapture at the Berlin Festival earlier this year:

I’ve got 2 x 2 free tix to give away for The Rapture’s Zurich gig – just mail me the answer to this childishly easy question:

What is the name of The Rapture’s current album?

First in, best dressed!

The Rapture play @ Stall 6, ZH, Sunday, 06.11.11

In The Grace Of Your Love is out now on DFA Records

Great Danes – Figurines: 2×2 free tix

Figurines Photo: Press

I last caught up with Danish indie rock band Figurines at the Montreux Jazz Festival during the heady days of summer, where they played a short but rocking set with great aplomb. Now they’ve embarked on a European tour in support of their fourth album, Figurines, and will be back in town for a gig at Stall 6 next week.

I’ve got 2×2 free tix to give away for their gig @ Stall 6, Wednesday 28.09.11 – who wants ‘em? Shoot me an email and they are yours – first in, first served.

Figurines play @ Stall 6, Wednesday, 28.09.2011.

More free stuff! Download a free Figurines live EP here.

Speaking in tongues – Jungle Brothers reunion tour

Talk about old skool – the original incarnation of hip hop groundbreakers Jungle Brothers (Mike Gee, Afrika Baby Bam and DJ Sammy B) have got themselves together for a reunion tour and will be hitting up Stall 6 next Thursday, 01.09.11.

Pioneers in the fusion of hip hop, jazz and house, their critically acclaimed debut album of 1988 Straight Out Of The Jungle was widely perceived as an innovative precursor to the likes of De La Soul, A Tribe Called Quest, Queen Latifah and Mos Def.

Now for the first time since 1993 the original line-up is on tour together, and I’ve got 2×2 tix to give away for the Stall 6 show – who wants’ em?

Just mail me the answer to this super easy question:

What was the title of the Jungle Brothers’ debut album?

Good luck! Winners will be notified by email.

Jungle Brothers play at Stall 6 on Thursday 01.09.11. Tickets here.

Live review: Figurines + Vinnie Who + Reptile and Retard at Montreux Jazz Cafe, 09.07.11

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For the second time in a week I’m back in the dark confines of the Montreux Jazz Café (previously I saw super talented folksters Make It Pink and the formidably-voiced Anna Calvi), this time for the SPOT on Denmark night of Danish delights.

Supported by ROSA, the Danish Rock Council and MXD, Music Export Denmark, SPOT on Denmark is a music festival held yearly in Aarhus, Denmark to showcase the best of Scandinavian music. ROSA and MXD then provide the best three bands at the end of the festival with industry-based assistance to promote their music. In these times of fiscal crisis and belt-tightening, it’s rather miraculous that the Danish government still prioritises and supports the creative industries in such a way. Indie pop rockers Figurines, disco-pop outfit Vinnie Who and electro-punks Reptile and Retard are the crème de la crème of SPOT on Denmark 2011.

Tonight, the promise of seeing all three bands has packed the 1000+ capacity Montreux Jazz Café to the rafters. First up are the Figurines, who prove themselves eminently capable of stealing hearts from the front row to the back corners, with the kind of cheerful, tousle-haired sexy insouciance that wins over festivals and music charts. Having toured with Kaiser Chiefs and Cold War Kids, and having recently released their fourth album, the three friends (plus two extra friends brought in for the evening) are on a roll and loving it. They start to get seriously interesting when things kick over into heavier, rockier territory, and the crowd responds accordingly with hands in the air, and scores of cameras aloft – a sure sign that an audience knows they are watching something memorable. I feel certain that I’ll be seeing their name on various festival bills all over Europe in the next few years.

I’ve been tipped off in advance about Vinnie Who’s super disco vibe, but I still didn’t expect lead singer Niels Bagge to be so incredibly, well, disco – a non-assuming, skinny guy in suit pants, dress shirt and braces – think Ólafur Arnalds with a touch of ‘Disco 2000’ style Jarvis Cocker – with a voice that would make Jimmy Somerville cry. But he carries it off with aplomb, helped out by his band, including the implausibly beautiful Kristina Kristensen on backing vocals and synths, working the feedback between audience and stage with their intelligent and irresistible disco pop. Even I, known disco-phobe, can’t help but be drawn into Vinnie’s mirrorball world. By the end of their set there is a palpable feeling of euphoria in the air.

When Reptile and Retard take the stage I get a strange sense of déjà vu – ladies and gentlemen, is David Lee Roth in the room? Wild mane of blond hair, skin-tight jeans, singlet, short tight leather jacket, a feline sexiness that is impossible to disguise…Thankfully, lead singer Mads Damsgaard Kristiansen is less concerned with comedic histrionics and heavy metal posturing, and more with turning in a feverish, hyperactive (at times hyperbolic – not sure what he wanted to achieve by yelling out that they are all on the dole) performance. Undeniably charismatic, however, that Mads. Due to public transport constraints I could only stay for the first couple of songs, but they were rippers, nihilistic electro-punk, with some suitably bleak visuals to boot. And I have it on good authority that later in the set Mads took off almost all his clothes and crowdsurfed half naked. Now that’s something I’m sure the Montreux Jazz Café doesn’t see every day.

All in all, an energetic and surprising evening from three bands with completely different styles and personas. Look forward to hearing and seeing more from all three of them.

Figurines play at Stall 6, ZH, on 28.09.11. Their fourth, self-titled album is out now.

Vinnie Who‘s debut album Then I Met You is out now.

Reptile and Retard are currently playing a series of shows in Denmark and Germany.

Live review: Architecture in Helsinki + Cut Copy, Stall 6, ZH, 28.06.11

There’s no denying the fun, happy spirit of Melbournites Architecture in Helsinki. Their quirky, irreverent indie pop won them scores of fans in the mid to late noughties, myself included. Now, in the difficult tween years of the decade, they have eschewed some of their signature quirkiness for synth-laden, polished pop with a definite whiff of the 80s, but still retain their sense of experimentation.

Last night’s double bill at Stall 6 with fellow label mates Cut Copy was proof positive that they can still work a crowd with their bright, infectious tunes and off-beat sychronised dancing (see ‘Alibi’).  Kellie Sutherland and Cameron Bird had the on-stage moves, ably supported by Gus Franklin’s kung fu and Jamie Mildren’s deadpan Nimbin dancing. There were a few hands-in-the-air/mexican wave moments which would have seen a room full of communal exuberance if the crowd hadn’t been so dazed by the scorching heat of the day and the stifling atmosphere inside the venue.

One of my faves, the sparky ‘Do The Whirlwind’ gets an outing but never really takes off into the flight of fancy it could have been, and their cover of Londonbeat’s 80s classic ‘I’ve Been Thinking About You‘ is a crowd pleaser, but could have used a good sharp dose of irony to lift it from its nostalgia-laden depths. Love Kellie’s vogueing, though, see if you can catch it here:

Irresistibly danceable, new track ‘Escapee’ (dedicated to Roger Federer) is a highlight, as is 2007`s ‘Heart It Races’, and finally, the first single from the latest album Moment Bends, ‘Contact High’. The audience is definitely appreciative, sweatily bouncing around with hands in the air. But I can’t help thinking that in moving to this smoother, more polished sound they have done away with some of what made them special. Or perhaps it’s just my particular aversion to synths. As a child of the 80s I find it hard to see the irony in revisiting all those synths and 80s sounds. It’s still daggy; not enough time has passed to make it new and interesting. I can’t relate it to anything cutting edge or modern, nu new wave or whatever. It’s all Jean Michel Jarre and shoulder pads to me. Perhaps that says more about me than about Architecture in Helsinki, though. I was never an early adopter of trends, couldn’t see them til they hit me in the face. Ouch, I think that would be said trend slapping me upside the head…

After Architecture in Helsinki, it was time for Cut Copy. Oh dear. What can I say? I admit I have only a passing acquaintance with their back catalogue, so at first I honestly thought I had mistaken them for another band, and that some other band who I had assumed was Cut Copy were on stage. I was confused. Because what was happening on stage surely couldn’t be the band that so many people had raved and buzzed about. Lead singer Dan Whitford’s thin, falsetto voice sounded completely unlike what I expected, almost off-key, and the cliched choruses grated on my ears. Was it the mix? I don’t know. I could only stand it for four songs, then I left. A pity, because on record their mix of dance rock/synth pop sounds good, and I was excited to see them. I don’t like giving bad reviews, but last night’s set rates up there with Wilco`s 2009 gig at Volkshaus as one of my all time worst gigs. Let’s hope last night’s gig was just a one-off, or perhaps even just a figment of my fevered imagination. Anything but actual reality.

Architecture in Helsinki setlist (thanks, Nic!): Desert Island/Hold Music/Everything’s Blue/Go/Denial Style/Beep/Wishbone/Escapee/I’ve Been Thinking About You (Londonbeat cover)/Deep Down/Do The Whirlwind/Heart It Races/ B4 3D/Contact High

Moment Bends, Architecture in Helsinki‘s fourth album, is also out now on Modular Recordings.

Cut Copy‘s third album Zonoscope is out now on Modular Recordings.